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・ Lindsay Thomas (actress)
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・ Lindsay Thomas (footballer, born 1955)
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・ Lindsay Thompson
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Lindsay Vickery
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Lindsay Vickery : ウィキペディア英語版
Lindsay Vickery

Lindsay Vickery (born 1965) is an Australian composer and performer.〔Brenton Broadstock, (1995). “Sound Ideas: Australian Composers Born since 1950, Australian Music Centre ISBN 0-646-22497-2 p. 237-8”, 1995,〕
==Early life and education==
Lindsay Vickery was born in Perth. He studied composition with John Exton and Roger Smalley at the School of Music, University of Western Australia. He has written much ensemble and interactive electronic music,〔Warren Burt, “Experimental Music in Australia using Live electronics in Contemporary Music Review: Live Electronics Peter Nelson, Stephen Montague eds) Vol. 6, pt. 1 p. 159-172 (editor in Chief Nigel Osborne) Harwood Academic Publishers, p. 163”, 1991,〕〔Roger Dean, Hyperimprovisation: Computer Interactive Sound Improvisation, A-R Editions, Madison, WI., p. 161”, 1993〕 exploring readymades and collage (notably interrogating the work of Charlie Parker) as well as improvisation, nonlinear writing and computer-performer pieces.〔Cat Hope, “Freedom and structure take on instruments and hardware, in Resonate Journal Issue 3, 15 SEP 2008”, 2008, “( Source 4 )”, date accessed〕〔Jonathan Mustard, “Invisible Symmetries: A retrospective of the work of Lindsay Vickery, in SOUND SCRIPTS: Proceedings of the Inaugural Totally Huge New Music Festival Conference 2005, Pp. 33-41 p. 33”, 2005, “( Source 5 )”, date accessed〕 His chamber opera ''Rendez-vous: An Opera Noir'' is based on the Nouveau Roman ''DJINN: un trou rouge entre les pavés disjoints'' by French author Alain Robbe-Grillet.〔http://www.tura.com.au/events/special/rendezvous/rendezvous.html〕〔Andrew Beck, “Lindsay vickery: Running up and Opera Noir, in Realtime Magazine, Dec-Jan 2001, 2001, “()”〕〔Sarah Combes, “Opera dressed to kill, in Realtime Magazine, Feb-Mar 2002, 2002, “()”,〕

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